Today in this post we are dealing with Shure Beta 58A vs SM58 and help you decide which one is the best vocal mic for home studios.
Last update on 2020-07-05 / Affiliate links / Updated prices and images from Amazon Product Advertising API
The Shure Beta 58A is widely regarded as the modern-day version of the legendary SM58. In fact, by just looking at both these mics, you can almost begin to wonder why the Shure decided to make a mic that looks and feels so much like the SM58 when its predecessor is still very much around.
Without a doubt, both mics are among the best Shure microphones on the market. This article brings both mics side by side and makes a thorough comparison.
Is Beta 58A better than the legendary SM58?
Are they the same mic but just with different names? Is there a reason to choose one over the other?
These and more questions are answered in this article.
Has pop filters
Has pop filters
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Let’s get started.
There’s usually no arguments about the ruggedness of Shure mics, and both the Beta 58A and SM58have certainly not disappointed in that regard.
To be more accurate, I should say that the Beta 58A has lived up to the SM58 standard since the later came a long time before the former.
The mesh grille that protects the capsule in these mics are solid and rugged; they can certainly take a beating before you notice any dents.
The chassis is also all metal; strong and very durable. These two mics actually look alike in build, the only distinction of note being the blue strip that runs through the middle of the mic in Beta 58 mic’s head.
There’s not much fancy stuff going on with both Shure mics; there’s only one color combination you’ll find on the market; black chassis and silver mesh grille.
Also, both the Beta 58A and SM58 do not have any switches on them. If you’re using them in live performances, whoever is on the mixing console has to do the switching on or off.
To use both the SM58 and Beta 58A, you must connect them via the XLR ports at the bottom. This means that you cannot use them as plug-and-play directly into your computer. You need an audio interface or mixer. You can also use an XLR to USB adapter if you’re in direct need.
As you may have noticed, these mics are quite similar in some areas. Well, when you open their respective boxes, you also find similar content, the only difference being the mics themselves.
Both the SM58 and Beta 58A boxes contain:
- Microphone clip
- ⅝” to ⅜” mic stand adapter
- Zipper pouch to keep the mics in.
Because these mics are designed to be handheld, also because live performers are not expected to have external pop filters on stage, Shure has made sure to add pop filters beneath the mesh grille to keep some of the plosive sounds from affecting the vocal negatively.
You can easily spot this when you open up the SM58’s cap. For the Beta 58A, you may need to peek through the grille to see it.
Again, another similarity between both mics: they do not need phantom power to work. All you need to do is hook them up to your interface or mixer and you’re good to go.
Both the SM58 and Beta 58A have an impedance rating of 150 ohms. Since they’re low impedance mics, all they need is an average power source to get them going.
Both of these are dynamic mics, but their polar pattern is where the difference comes in.
While the SM58 has a cardioid polar pattern, Beta 58A is a super-cardioid microphone. These two patterns sound really similar, but the cardioid pattern has a slightly wider reach, which makes it pick a little more off-axis sound than the super-cardioid pattern of the Beta58A.
Listening to both mics, SM58 seems to have more low-frequency detail. This is expected, mostly because Beta 58A has an in-built low-frequency roll-off that starts at around 500Hz.
This roll off does a good job of eliminating bass buildup when you hold the mic very close to your mouth, but it also reduces the warmth and roundness of a full low frequency.
On the other hand, it also means that being a cardioid mic, SM58 is susceptible to bass buildup when you hold it very close to your mouth (rappers take note).
The mid-frequency production is quite similar for both mics. It’s flat for most of the low mids, then it has a boost in the high mids. This boost makes it easier for vocals to sit easily in the mix.
This is very important in live situations where the mixing engineer doesn’t have so much freedom like in-studio post-production. As soon as the vocalist begins to sing or talk, the audience can be sure to hear what they’re saying or singing while other aspects can be fine-tuned.
The beginning of the higher frequencies in both the SM58 and Beta 58A is similar, the presence boost that started in the high mids continue here until the curve starts to dip at around 10kHz.
Because of the higher frequency boundary, you won’t get airy vocals from these mics. If this was Shure Beta 58A vs Sennheiser e945, the latter could gain a point in its favor here. While the elements will be bright and crisp, it may just lack that high-end sparkle that makes everything shine.
Being dynamic mics, they can record almost any source regardless of their loudness. Maximum SPL figures for such mics as the SM58 and Beta 58A are usually estimated. Even if you’re hearing distortion due to loudness, it might just be your mixer, amp or speaker playing tricks.
- Both mics look almost the same, both the chassis and head.
- They’re both dynamic mics with XLR ports for connection
- Both mics have low handling noise; you can barely hear any disturbance while moving the mics from one hand to the other.
- Beta 58A has a built-in low-frequency roll-off that starts at about 500Hz. On the other hand, SM58has a fuller low frequency with no cut-off.
- Polar pattern: SM58is super-cardioid while Beta 58A has a cardioid pattern.
- Sm58’s mesh grille is detachable in case you need to replace it, but Beta58A is permanently glued to the chassis.
- Rugged build
- A detachable mesh grille, in case there’s a need for replacement.
- Fuller low-frequency response and warmth
- When placed very close to the source, it causes bass buildup.
- An internal pop filter still allows some plosive sounds to get through.
- Low-frequency roll-off prevents bass build up.
- Presence boost gives vocals clarity
- Works without phantom power
- Low frequency is not quite full.
- Vocals lack sparkle because very high frequencies are not present.
But as close as this seems, there is a major difference that makes both of them unique: it’s the low-frequency production.
Because Beta 58A has a low cut, there is a reduced bass production, which makes it ideal for people that already have a lot of low end in their natural voice.
It adds the presence needed to bring out such quality. However, for singers and voice artists whose voices are lacking in low-end richness, Beta 58A may not do their voice textures justice. They may need an SM58 to do the job.
Hi, I’m Jennifer I’m a passionate singer and an audiophile from Detroit, MI.
I’m on a mission to help music creators to create fine music that help them position uniquely in the saturated music space.
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