5 Best Ambisonic Microphones For Best Audio in 2020

Are you looking for the best ambisonic mics available in the market today?

Ambisonic and binaural recordings are some of the most realistic recording techniques today. While binaural mics are a bit popular, it’s not the same for ambisonic microphones. To find the best, you have to do a lot of searching.

I wrote this article to save you a lot of time by giving you the best microphones for ambisonic recording today.

Well, do you know what an ambisonic microphone is?

An ambisonic microphone is a type of mic with four capsules. The mic’s head houses four sub-cardioid capsules arranged in a tetrahedral array. The arrangement is such that all four capsules are facing different directions. This mic is used in the ambisonic recording.

An ambisonic recording is a technique used to record all parts of a room or space with one mic only. The aim is to record realistic-sounding audio. So, how is this different from binaural recording?

The ambisonic recording is adaptive. So, the whole recorded sound divides into channels based on the playback system. This means the same audio can give 5.1 surround, 7.1 surround and stereo 2.1 depending on your speaker setup.

How to record with an ambisonic microphone?

When recording with an ambisonic mic, positioning is 70 percent of the work. Since the mic will record the whole space, the relative positions of everyone and everything is essential.

If you’re recording a video, be mindful of the camera position. For the best viewing experience, the camera and microphone positions should be such that the video and audio will show the same perspectives.

Top 5 ambisonic microphones reviewed

Rode NT-SF1 – Editor’s best pick


  • Frequency Range: 20Hz – 20kHz
  • Output Impedance: 63Ω
  • Equivalent Noise (A-weighted): 17 dB SPL (as per IEC651)
  • Maximum SPL: 129 dB SPL
  • Power Requirements: 6.2mA @ 48V (Per Channel) Phantom Power
  • Frequency Response: 30 Hz – 20 kHz ±3dB // 20 Hz – 20 kHz ±4dB
  • Signal to Noise Ratio: 77 dB

Sound quality

Rode NT-SF1

Due to some peculiarities, I would advise that you use the NT-SF1. With a good preamp. It’s quite a sensitive mic that can pick up sound with high gain.

The sensitivity makes it prone to distortion when you capture loud instruments with it. The maximum SPL of 129db also contributes to this. If you use a preamp with the pad function, you can prevent distortion by engaging a 10db or 20db pad.

This Rode ambisonic mic may not be very suitable for quieter sounds. Even though it’s highly sensitive, it has some noise too. When compared to other mics, it may not seem very noisy. However, for ambisonic recording, you need some quietness.


Rode NT-SF1 accessories

This mic has a frequency response of 20Hz to 20kHz. It requires 48V phantom power to power it.

You can get this from most audio interfaces and some mixers. The frequency response curve shows flatness for most of the range.

Across all the frequencies, you’ll only find a 3db cut or boost at most.

What do we like?

  • Windshield makes outdoor recording easier
  • Good for recording on a tight budget

What we don’t like?

  • No protective case for mobile use
  • You need a DAW to monitor the sound.

Sennheiser Ambeo VR 3D – Best mic with no coloration


  • Transducer Principle Externally-polarized condenser
  • Pickup Pattern 4x cardioid, in Ambisonics A-format arrangement: front-left-up (FLU), front-right-down (FRD), back-left-down (BLD), back-right-up (BRU)
  • Frequency Response 20 Hz to 20 kHz
  • Polarity: Pin1 (GND), Pin2 (+), Pin3 (-)

Sound quality

Sennheiser Ambeo VR 3D sound quality

The best part of this mic is its frequency response. There is no audible coloration of the original sound.

After taking an ambient recording of nature, the playback sounds so natural. This makes the Ambeo VR 3D useful for field recording.

Some parts of the mid frequencies have a slight boost. Incidentally, our ears naturally pick those frequencies more than others.

This mic records both VR and 3D audio. What is 3D audio? It’s sound that not only gives you left and right soundstage, but also gives height and depth in its dimensions. It sounds like you’re right in the middle of the music.

Additionally, the Sennheiser Ambeo has a maximum SPL of 130db. It will be a hard task to drive it to distortion.


Sennheiser Ambeo VR 3D features

Just by looking at the mic, you wouldn’t guess that it’s an ambisonic microphone. All the capsule heads are arranged at the top of the mic shaft and covered with a regular handheld mic head.

Also, like the Rode NT-SF1, Ambeo captures everything between 20Hz and 20kHz. It covers the whole spectrum of human hearing.

Even though this mic has a handheld design, you should place it on a stand when it’s in use. This is to minimize errors from the wrong placement.

What do we like?

  • Flat, realistic frequency response
  • High maximum SPL

What we don’t like?

  • No presence peak for speech clarity

Zoom H2N Portable Recorder


  • Number of Tracks: 4
  • Max Sample Rate/Resolution: 96 kHz / 24-Bit
  • Microphone: Built-In 5-Mic Array, Mid/Side, and X/Y Configurations
  • Built-In Speaker: Yes, 400 mW Mono
  • Audio File Formats: BWF, MP3, WAV
  • Sample Rates WAV: 44.1 / 48 / 96 kHz, MP3: 44.1 / 48 kHz

Sound quality

Even though the Zoom H2N is not a dedicated ambisonic sound recorder, it still does a good job.

The mic is not super quiet, but its self-noise is usable for ambisonic recording. The H2N sounds bold, with emphasis on speech clarity.

Even with the presence boost present, it’s still a good mic for field recording too. The bass is bold; the mic records thumping sounds quite well, as well as the higher frequency sounds.


H2n battery shells

The mic frame houses five microphones. Although there are different recording formats, you should choose the spatial sound option for ambisonic recording.

If you had your H2n recorder for a while, you may need to do a software update to access this feature. The recorder uses two AA batteries as its power source. The controls are on the right side of the recorder, and the input ports are on the left side.

What do we like?

  • Portable recording system; you don’t need to have a computer or mixer on location.
  • User friendly

What we don’t like?

  • Doesn’t come with a windshield
  • Battery compartment cover feels flimsy

Zoom H3-VR 360 Audio Recorder – Best for 360’ recording


  • Number of Tracks: 4
  • Max Sample Rate/Resolution: 96 kHz / 24-Bit
  • Microphone: Built-In Cardioid Condenser 4-Mic Array
  • Built-In Speaker: No
  • Display: Monochrome LCD
  • Memory Card Support: microSD, microSDHC, microSDXC (Up to 512 GB)
  • Max SPL: 120 dB

Sound quality

The Zoom H3-VR has a four-mic arrangement that records audio up to 96kHz/24-bit quality. The sound is quite realistic, although you may notice a little reduction in the low-frequency region.

This means that sounds that are naturally deep and explosive may be a little understated. However, it is a way of reducing the boomy buildup from sources closer to the mic.


The H3-VR is a compact mic unit, which makes it easier to use with a camera. Also, it is quite an efficient mic as well. The ‘VR’ in the recorder’s name is significant.

What does VR mean? It is an acronym for Virtual Reality. With the aid of VR goggles, you can see a 3d display right in front of you, just as if you were physically immersed in that virtual environment.

Because it can record into a micro SD card, it removes the need for an external mixer or recorder. This saves you time and money. The setup is also easier since all you need is the recorder itself with no cables or other gadgets.

What do we like?

  • Easy setup
  • Compact unit; easy to keep out of the camera shot.

What we don’t like?

  • Need to pause long shoots to free the memory.
  • Does not use rechargeable batteries
  • Low SPL

Zoom F6 – Best for noisy environment


  • Number of Tracks – WAV: 8 (6 Inputs + Stereo Mix)
  • Max Sample Rate/Resolution: 192 kHz / 32-Bit
  • Microphone: None
  • Built-In Speaker: None
  • Display: Color LCD (Backlit)
  • Memory Card Support: SD, SDHC, SDXC (Up to 512 GB)

Sound quality

The Zoom F6 has great preamps. It is a great choice if you want pristine audio quality from your outdoor recordings.

Of course, this level of performance comes at a price. Zoom F6’s limiter capabilities make it good for recording loud sources like thunder rumbles and loud explosions.


The F6 is made for the outdoors. It has a rugged build, solid buttons and knobs, and a clear display screen. To record ambisonics, you need to change the settings accordingly. The setup is easy because there are no visible mic arrangements to deal with.

All you need is to place the recorder in a strategic position. The battery runs for 16.5 hours before going down.

What do we like?

  • Rugged build; good for the outdoors
  • Long battery life

What we don’t like?

  • Not for videographers on a tight budget


All four of these mics are excellent in their own rights, but I still have to choose my best 3 options.

My favorites are the Rode Soundfield, Sennheiser Ambeo, and Zoom H3-VR. These three mics are dedicated ambisonic mics and they are designed as such.

Their outdoor performance is an important factor I considered. Zoom H2n’s windshield is not readily available.

Jennifer Max


Hi, I’m Jennifer I’m a passionate singer and an audiophile from Detroit, MI. 

I’m on a mission to help music creators to create fine music that help them position uniquely in the saturated music space.

Follow my blog for regular content :-)

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